Más pequeños que el Guggenheim by Alejandro Ricaño: who are we laughing at when we laugh at the neoliberal pelado?

Authors

  • Daniel Vázquez Touriño Universidad Masaryk

DOI:

https://doi.org/10.15174/rv.v15i30.657

Abstract

The article proposes that the theater of the last generation of playwrights is distinguished by a type of protagonist that connects with the classic figure of the "pelado". Through the analysis of the play Más pequeños que el Guggenheim, by Alejandro Ricaño, we study the way in which these insignificant beings provoke the laughter of the audience, as well as the implications of this laughter.

Author Biography

Daniel Vázquez Touriño, Universidad Masaryk

Daniel Vázquez Touriño

Doctor en Literatura Española e Hispanoamericana por la Universidad Autónoma de Madrid

Adscripción: Universidad Masaryk (República Checa)

Líneas de investigación: teatro hispanoamericano contemporáneo

Últimas publicaciones:

Vázquez Touriño, Daniel. "Escritura rapsódica y voces escénicas en la dramaturgia de Édgar Chías." In Germán Brignone; Abel González Melo. Teatro actual en español. Homenaje a José-Luis García Barrientos. I. Estudios. Madrid: Ediciones Antígona, 2021. pp. 461-484. Crítica 36. ISBN 978-84-18119-29-3.

Vázquez Touriño, Daniel. "La reconfiguración de la noción de personaje en el teatro de Luis Enrique Gutiérrez Ortiz Monasterio." In José Ramón Alcántara Mejía; Jorge Luis Yangali Vargas. Escrituras múltiples de la escena teatral latinoamericana. Ciudad de México: Universidad Iberoamericana; Centro Nacional de Investigación, Documentación e Investigación Teatral Rodolfo Usigli, 2020. pp. 45-61. ISBN 978-607-417-708-4.

Vázquez Touriňo, Daniel. "Nomadismo e inmovilidad en el teatro mexicano contemporáneo." Colindancias. 2020, vol. 11, núm. 1, pp. 113-122. ISSN 2067-9092.

Vázquez Touriño, Daniel. Insignificantes en diálogo con el público : el teatro de la generación Fonca. Madrid: Editorial Verbum, 2020.

Downloads

Published

2022-05-25

How to Cite

Vázquez Touriño, D. (2022). Más pequeños que el Guggenheim by Alejandro Ricaño: who are we laughing at when we laugh at the neoliberal pelado?. Valenciana, 15(30), 353–370. https://doi.org/10.15174/rv.v15i30.657

Issue

No. 30 (2022): Valenciana, julio-diciembre 2022

Section

Dossier

License

Author(s) who publish in this journal do accept the next conditions:

According to copyright regulations, Valenciana does recognize and respect the authors’ moral right, as well as the right of property, which will be assigned to the journal for its diffusion in open access.

Valenciana does not charge authors for the submission, editorial process or publication in the journal.

All texts published and distributed by Valenciana (without exception) are supported by the license Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), which allows third parties to use the publication as long as they mention the author and the first publication.

Authors can make other independent and additional contractual agreements for the non-exclusive use of his article published in Valenciana (e.g. including it in an institutional repository or in printed/electronic media), as long as it is explicitly clarified that the article was published for the first time in this journal.

For these purposes, authors must sign and send the letter of submission and copyright transfer form in a PDF file to this email address: revistavalenciana@gmail.com

This journal is under a license by Creative Commons Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)).