Displaced secularization. The vanguard in the anti-modernity process
DOI:
https://doi.org/10.15174/rv.v14i29.575Abstract
The following paper proposes a definition of “avant-garde” based on its attempt to secularize the art from the romantic ideal and sublimity. To do this, it starts from a broad notion of “secularization” linked to the process of modernity, a process of desecration that avant-garde tried to apply to art. We suggest that this attempt was unsuccessful and that avant-garde resulted in a resistance to the modern, in clear contradiction to its discourse of rupture and novelty. The study is divided into three parts: the first one focuses on delimiting the notions of “secularization”, “modernity” and “anti-modernity”; the second on, in defining the avant-garde in relation to its attempt to secularize art; finally, the third one exposes the failure of this attempt and exemplifies it in the literary field through the antithesis between poetry and novel genre.
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