Belleza y degradación del cuerpo humano en dos estéticas cinematográficas. El tiempo embalsamado
DOI:
https://doi.org/10.15174/rv.v0i17.145Abstract
Este artículo parte de la idea de André Bazin sobre la naturaleza de la imagen fotográfica y la relación existente entre lo capturado por la cámara y el resultado visual. Las reflexiones del crítico francés apuntan al estudio del cine y la manera como éste ha logrado capturar al tiempo en la imagen en movimiento. En las siguientes líneas se abordan dos estéticas cinematográficas que coinciden en proporcionar una reflexión en torno al cuerpo en relación con la temporalidad a la que está sujeto desde diversos, y a veces contrapuestos, puntos de vista.
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