Blanchot and the logic of unapropriation
DOI:
https://doi.org/10.15174/rv.v13i27.533Abstract
In contrast to Hegel and dialectics, some authors such as Maurice Blanchot oppose friendship as an essential human relationship and the aesthetic experience as a paradigm of action, relegating work, which is always servile, as a decadent model of it. In this essay, the question is explored in depth by giving priority to two texts, which appeared in 1969 and 1971, in which Maurice Blanchot explicitly poses the difference between dialectics and tragedy as antithetical ways of posing the reality of the human.
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