Territories and nature through the archive’s transmutation

Authors

  • Betina Keizman Universidad Alberto Hurtado

DOI:

https://doi.org/10.15174/rv.v0i24.473

Abstract

Considering two of the writer and visual artist Verónica Gerber’s oeuvres (Otro día... poemas sintéticos and the project Máquina distópica), this essay investigates modes of rewriting territory and nature through operations of copying, deformation as well as deviation of documental and artistical archives. Together with the rewriting of oeuvres from Juan José Tablada and Amparo Dávila as well as assumptions of Manuel Felguérez ́s work and different tenor of documents, Gerber complexifies categories of territories, ecosystems and nature down the light of the effects of the old distinction between natural history and human history collapse. Far away from a melancholically practice of the archive, this proposal reinstalls a ludic register, as well as it relocates the artistic practice as a destabilization process of formats and constituted definitions.

Author Biography

Betina Keizman, Universidad Alberto Hurtado

Universidad Albertto Hurtado. Académica

äreas de trabajo:

  • Teoría literaria.
  • Literatura mexicana y rioplatense. Literatura latinoamericana.
  • Intermedialidad: Literatura y Visualidad.

Ultimas publicaciones:

  • “Complejidad, afectos y detención (una lectura de Lina Meruane, Roque Larraqy y Sebastián Gordin)”. Rastros y gestos de las emociones. Desbordes disciplinarios. Santiago de Chile: Editorial Cuarto propio, 2018: 247-270.
  • “Las puertas abiertas: continuidad, obsolescencia y potencialidad en la literatura y el arte recientes”. Estudios Filológicos, [S.l.], n. 62, p. 111-127, jan. 2019. ISSN 0717-6171. Disponible en: <http://revistas.uach.cl/index.php/efilolo/article/view/4172>. Fecha de acceso: 11 mar. 2019
  • “Mujeres que no van al cine”. Revista Iberoamericana n 264. Julio-septiembre 2018. Vol. LXXXIV, University of Pittsburgh . 671-693
  •  “Experiencia literaria y disolución del sujeto en la narrativa contemporánea latinoamericana”, Estudios Avanzados, 28, enero 2018: 6-16

References

Andermann, Jens, 2018, Tierras en Trance: Arte y naturaleza después del paisaje, Santiago de Chile, Metales pesados, 464 pp.

Ballesteros, Ricardo de la Fuente, 2009, "En Torno Al Orientalismo De Tablada: El Haiku", Literatura Mexicana XX.1, 57-77 pp.

Bourriaud, Nicolas, 2009, Formes de vie. L’art moderne et l’invention de soi, France, Denoel, 169 pp.

Chakrabarty, Dipesh, 2009, Clima e historia: cuatro tesis, en Pasajes: revista de pensamiento contemporáneo 31, 51-69 pp.

Felguérez, Manuel y Sasson, Mayer, 1983, La máquina estética, México, Universidad Autónoma de México, 133 pp.

Goldsmith, Kenneth, 2015, Escritura no-creativa. Gestionando el lenguaje en la era digital, Buenos Aires, Caja Negra, 336 pp.

Groys, Borys, 2014, Volverse público.Las transformaciones del arte en el ágora contemporánea, Buenos Aires, Caja Negra, 208 pp.

Latour, Bruno, 2007, Nunca fuimos modernos. ensayo de antropología simétrica, Buenos Aires, Siglo XXI, 221 pp.

Stiegler, Bernard, 2002, La técnica y el tiempo. Tomo I: El pecado de Epimeteo, Hondarribia (Gipuzkoa), Hiru, 412 pp.

Tablada, Juan José, 2008, Edición facsimilar, con introducción de Rodolfo Mata, Un día... poemas sintéticos, México, Conaculta, 106 pp.

Downloads

Published

2019-07-27

How to Cite

Keizman, B. (2019). Territories and nature through the archive’s transmutation. Valenciana, (24), 229–246. https://doi.org/10.15174/rv.v0i24.473

Issue

No. 24 (2019): Núm. 24 julio-diciembre 2019

Section

Dossier

License

Author(s) who publish in this journal do accept the next conditions:

According to copyright regulations, Valenciana does recognize and respect the authors’ moral right, as well as the right of property, which will be assigned to the journal for its diffusion in open access.

Valenciana does not charge authors for the submission, editorial process or publication in the journal.

All texts published and distributed by Valenciana (without exception) are supported by the license Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), which allows third parties to use the publication as long as they mention the author and the first publication.

Authors can make other independent and additional contractual agreements for the non-exclusive use of his article published in Valenciana (e.g. including it in an institutional repository or in printed/electronic media), as long as it is explicitly clarified that the article was published for the first time in this journal.

For these purposes, authors must sign and send the letter of submission and copyright transfer form in a PDF file to this email address: revistavalenciana@gmail.com

This journal is under a license by Creative Commons Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)).